Friday, March 20, 2020

How did the fashions of the 1900s to the 1930s reflect Modernist theories Essays

How did the fashions of the 1900s to the 1930s reflect Modernist theories Essays How did the fashions of the 1900s to the 1930s reflect Modernist theories Paper How did the fashions of the 1900s to the 1930s reflect Modernist theories Paper A definition of Modernism is The deliberate departure from tradition and the use of innovative forms of expression that distinguish many styles in the arts and literature of the 20th century. (The American Heritage-Dictionary of the English Language(2000)in Beard 2002: online) To explain this in more detail, there were many stylistic features that described the Modern Movement in art and design, these include truth to material, this means an honesty, in the sense that decoration must not mask the way a product is made, its constructional basis or spatial arrangement; acceptance of technology, meaning the use of new materials is encouraged together with the mindset that products could be mass-produced and consumed; functionalism, meaning that form should be adapted to use material and structure as in form follows function; the rejection of historical styles and internationalism meaning there are no divisions between disciplines and class of consumer. The concep t of Modernism was a response to the growth of industrialisation from the 18th into the 20th century known as the machine age and it affected all aspects of design. I am going to look at fashion design between 1900 and the 1930s and analyse its reflection of these Modernist theories. Typical fashions in 1900 featured the corset. Women were of S-shaped stance; the corset pushed the bust forward and the hips back, and this was combined with a bell-shaped skirt. 1910 brought a fundamental change in female dress, which seemed to be influenced by the Russian Ballet but there were other major aspects of contemporary culture that can answer to this. French designer, Paul Poiret was the most dominant force in fashion in the first decade of the twentieth century. He designed loose elegant dresses with high waistlines and no corset beneath in 1907. Womens clothes were softer in line, with an emphasis on slimness and followed a womans body rather than forcing the body to conform to clothing as previous dress had done. This is recognised as the start of the tubular silhouette, which remained fashionable to the end of the 1920s. This style of dress links with Modernist ideas as its emphasis is on the natural motion of the body, which is the essence of truth to material and form follows function. This style of dress goes further to link with aspects of Modernism as Richard Martin claims. This revolution in fashion that saw 3D forms of corseted and buttressed structures dissolve into flat planes, cylinders and shapes suggested abstraction rather than representation, which links with the modern art of Cubism at the time. (Montebello in Martin 1999:7) The dress shows a complex and random pattern of shapes and lines that resembles cubist art and may have been influenced by architecture. The form of the dress is also made up of shapes and flat planes that are structurally pleated or drape the body in stark contrast. Cubist art suggests motion, which is associated closely to Modernism as Modernism saw the popularisation of the automobile and also reflected the quickly changing times. During the First World War (1914-1919), great changes came to couture. Poiret and other fashion designers were called into the military and their couture houses closed. As male designers defended France a young female designer came of age. In 1915, Gabrielle Chanel took control of modern fashions, producing hats, and designing loose-fitting chemise dresses with belts at the hip. By 1916 she was making casual pleated skirts from the practical Rodier wool jersey that before the war had been restricted to mens underwear, and topping them with sailors sweaters in the mode of sportswear. At this time of wartime shortages, Chanels practical but expensive jerseys seemed an instant modern classic, appealing to wealthy clients because they made the rich look young and casual. (Tirocchi date not known:online) The war brought about other changes in fashion. Womens hemlines, which had risen from floor length to ankle length prior to the war, rose to mid calf length by 1916. Hobble skirts were instantly replaced in favour of wider more practical skirts, and womens trousers and short hair were promoted as practical fashions for war work. Although these changes were a result of the war they tie in with the Modernist concept that again form follows function. After the war Oriental fashions continued to be popular, and they were eventually stylised into a form, which came to be known as Art Deco. (Wollen 1999:11) These Oriental fashions linked with some of the modern design of the time and was seen as a part of the interest in novelty in the 19th century. Novelty in this sense meant looking at things in a different way and demonstrated designs interest in the Far East. Post-war clothing reflected womens changing roles in modern society, particularly with the idea of freedom for women. Women gained the right to vote in 1920 and were entering the workforce in record numbers. Forward-looking younger women now made sportswear into the greatest change in post-war fashion. The tubular dresses had now evolved into a similar silhouette that now sported shorter skirts with pleats, gathers or splits to allow motion to rule womens fashion. This shift towards functionalism again demonstrates Modernist theory as clothing and fashions became practical for a range of active bodily movements. Women wore flatteners to have a more boyish bust and the waist disappeared. Chanels designs took dominance and a new type of women came into existence- androgyny. This look was known as the Flapper in America and embodied the modern spirit of the Jazz Age. Chanel androgyny image and analysis. Chanels biographer, Edmonde Charles-Roux, states that Chanel was responsible for adopting sportswear to daily life and capitalizing on the feminising of masculine fashion. Chanel created the poor look, the sweaters, jersey dresses and little suits. The aim was to make people of all social status look the same, like the girl in the street This was the style of the heroines of the 1920s yet it was also a classless style and so Chanels designs were soon adapted for the mass market. This was the dashing streamlined look of the twenties, which captured the spirit of modernity. Chanel is also known for the little black dress where fuss and detail are removed, an item that now presented in varying forms and styles, is still considered a fashion essential. This is another reflection of Modernism as the design is simple; its basic form and is not cluttered with unnecessary decoration. This trend showed a more masculine tailored look in comparison to the pre-war fashions, which in itself relates to the masculinity associated with many aspects of Modernism. This trend may have been the resultant of women trying to find their place in the masculine Modern world. Several Paris firms such as Doucet, Doivillet and Drecoll closed their doors and even Poiret who had done so much to revolutionise fashion in 1910 now found himself out of step with the times. (Tirocchi date unknown:online) Chanel was a friend of Cocteau, Picasso and Stravinsky and she too felt the influence of Modern Art. Between 1925 and 1935 the strong influence of functionalism displaced ornamentation to take the form of accessories- costume jewellery; Chanel also held this forte. Clothes had become rationalised, as the modernist aesthetic had demanded. (Wollen 1999:12) Schiaparelli was another majoring force within fashion design at this time. She rejected 1920s modernism of Chanel turning instead to Surrealism. She paid homage to Poiret and like him surrounded herself with artists like Man Ray, Salvador Dali and Meret Oppenheim. Schiaparelli also experimented with new materials like cellophane, glass, plastic, and parachute silk. Schiaparelli had an architectural approach to dress, she directed her fantasy in design towards hats, gloves and shoes which can be experimented with without affecting the basic form of the body. (Wollen 1999:14) The body must never be forgotten and it must be used as a frame is used in a building. The vagaries of lines and details or any asymmetric effect must have a close connection with this frame. (Schiaparelli (1954) in Wollen 1999:14) The development of man-made fabrics during 1930s and improving technology of mass production meant that simple, well-cut clothes were brought to a wider range of people (Allan 1973:23) 1930s dresses were slim and straight, sometimes wider at the shoulders than at the hips and were sleek, flowing and streamlined as were many other products of design in the Modernist period. The streamlining was also a link to motion and speed as women started driving. This was of major influence to fashion trends as the image below shows, fashion images showed women with cars, outside and moving and so to be fashionable and modern were to be moving. The 1930s also saw women in trousers which links to masculinity and form follows function. The post war boom was short lived and the 1920s and 30s suffered from a slump named the Depression. The Depression helped bring the clothes of the different classes together at least in general line and now a new process had begun which brought the creations of the great Paris houses within the reach of nearly every woman. Before 1930 buyers (especially American buyers) purchased several dozen copies of each selected model shown in Paris and resold them to a wealthy clientele. But after the slump American authorities imposed a duty of up to 90% on the cost of the original model. Toiles were allowed duty-free. Each toile was supplied with full directions for making it up and so a simplified version could be sold very cheaply. There was also the growing use of synthetic fabrics. Even the factory girl could now afford to purchase artificial silk stockings. Costume and Fashion fill in***) These points reflect the Modernist feature of Internationalism. Divisions between the classes of the consumer had minimised. Conclusion I think the fashions of the 1900s into the 1930s reflect many aspects of Modernist theory. Mass manufacturing, increased consumerism and the speed of change are all characteristics of the Modern period and these factors altered the fashion industry and trends. The rejection of historical styles has been evident, as Ive studied the typical looks for each decade and the sweeping trends. Fashion trends, silhouettes and fabrics rapidly became old and fashionable women had to have the latest look in fashion. Modernism is characterised by the love of the new.

Wednesday, March 4, 2020

8 Tips for How (and When) to Ask for a Raise

8 Tips for How (and When) to Ask for a Raise SAT / ACT Prep Online Guides and Tips Are you hoping to increase your salary but aren't sure how to ask for a raise? Are you also wondering how much to ask for a raise or when to ask for a raise?Asking for a raise can be nerve-wracking, especially if you aren’t sure how to go about it, but we have all the answers you're looking for. In this guide, we explain everything you need to know about asking for a raise, including the steps you need to have done beforehand, the best times to ask for a raise, how much you should ask for, and eight tips to keep in mind when you ask. Things to Keep in Mind Before Asking for a Raise Before you even suggest having a conversation with your boss about your salary, there’s work you need to do. Don’t ask for a raise until you do the following four things. Ask Yourself If You’ve Truly Earned a Raise Everyone wants to make more money, but have you really put in enough work for your boss to justify increasing your salary, especially if you’re asking for more than just a cost of living increase?If you haven’t been expanding your responsibilities and going above and beyond what you’re asked to do, convincing your boss to give you a raise will be a much harder sell. Do Your Research Before you ask for a raise, you need to know how your salary compares to the salaries of similar jobs in your area. This will help you come up with a proper amount to ask for as a raise, and if you can show your salary is below the market average. We discuss this more in the â€Å"How Much of a Raise Should You Ask For† section. Have a â€Å"Brag List† Ready In order to get a raise, you’ll need to show how valuable you are to the company so they agree that you’re worth paying more money. The best way to do this is to have a â€Å"brag sheet† that highlights your accomplishments. These should be as specific as possible and ideally include quantifiable numbers. Saying, â€Å"I brought on five new clients and increased monthly sales by 15%† is much more effective than saying, â€Å"I was a great employee,† or something similarly vague. Remember That Asking for a Raise Isn’t Rude or Unusual Many employees worry that asking for a raise will make them look greedy or rude, but this isn’t the case. Asking for a raise is a normal part of having a job, and most employers expect you to ask for a raise occasionally. When to Ask for a Raise Timing is everything, and it can be the deciding factor in whether you get a raise or not. There are certain times when you’re more likely to get a raise, three of which we discuss below. During an Annual Performance Review If your company does annual performance reviews, these are a great, and often expected, time to ask for a raise.Since you’ll be discussing your accomplishments and goals for the future, discussing a change in salary fits right into the conversation. After Doing Excellent Work If you’ve just done an outstanding job on a project or gone above-and-beyond your typical work duties, consider asking for a raise.Your accomplishments will be in the forefront of your supervisor’s mind, and you’ll have concrete evidence of how useful you are to the company. When Your Supervisor Is in a Positive Frame of Mind Even if you’re the #1 employee at your office, you’ll hurt your chances of actually getting a raise if you ask when your boss is overwhelmed with work, had a project of their own go poorly, or is dealing with other issues that are distracting. Wait until things are going well for both you and your supervisor before broaching the possibility of a raise. In all cases, you should wait until it has been at least six months to a year since you either got a new role or received a raise. You should also you only discuss a potential raise when you’re meeting one-on-one with your supervisor, during a time when you both have time for the conversation. This isn't a talk you want to start while passing each other in the hall! How Much of a Raise Should You Ask For? Before you ask for a raise, you should always know what amount you’re hoping to get, whether this is a 3% increase in salary, an extra $2000 a year, etc.You don’t need to state this amount right when you ask for the raise, but you should expect your supervisor to ask what you’re hoping to get. Having a concrete amount you’d like your raise to be will make you seem more prepared and serious, and it’ll make it easier to start negotiations with your supervisor. It also reduces the possibility of your supervisor giving you a very small raise since no amount was specified. There’s no set amount you should ask for when you request a raise. This is another area where you’ll need to do your research. Most annual raises are between 1% and 5% of your annual salary, with 3% being the average at many companies.Ask around to figure out what other people in similar positions are making. You can also look on sites like Glassdoor and the Federal Bureau of Labor Statistics to find what others in your field are making. Set your expectations around those amounts. Also, don’t start off by requesting a ridiculously large raise thinking you and your supervisor will then negotiate it down to something more reasonable. Doing that makes you look entitled. When asked what your desired raise is, state the amount you’re happy with, and be prepared to back it up with research that shows you deserve this amount (this can include printing out stats of the salaries of similar workers). 8 Tips on How to Ask for a Raise Once you get to the point where you and your boss are ready to have the conversation about your salary, keep these eight tips in mind when discussing a raise. #1: Be Confident Asking for a raise can be intimidating, but try to minimize your nervousness during the conversation. By being confident, you’ll show your boss that you’re serious about this topic and really believe you deserve a raise. If you aren’t confident you deserve a raise, why should your boss be? Many people find that practicing their speech in front of a mirror or other people several times can make the actual conversation go much smoother. #2: Make It Clear You’re Asking for a Raise This isn’t a time to be coy about what you’re asking for; doing so will just make the conversation confusing and awkward.If you haven’t already told your supervisor why you’re requesting a meeting, you should begin the conversation with something like, â€Å"I’ve learned a lot from [company name], and I feel I’ve also been a strong asset. Because of this, I’d like to set up an appointment to discuss my salary.† This removes any ambiguity from the conversation and makes it easier for you and your supervisor to communicate honestly with each other. #3: Show That You’re Valuable This is the time to bring up the topics you came up with in your brag sheet. You don’t need to list everything you’ve done for the company, but by highlighting a few major accomplishments and making it clear they’re part of a pattern of excellent work, you’ll remind your boss how valuable you are. Remember to make these accomplishments detailed and to include numbers when you can to give concrete evidence of your worth. Good examples include, â€Å"Revenue increased $10,000 since I began working the project,† â€Å"Employee turnover has decreased by half and employee satisfaction has increased by 20% since I became manager of this team.† If you’ve found solid evidence that your salary is significantly below average for your field, you can also bring this up now, but be careful not to sound accusing or bitter.Something like, â€Å"Here’s data I collected showing salaries for people in similar positions as mine. Because of my accomplishments, I believe I deserve to be making at or above the average salary for this position† makes it clear what you want without being negative. #4: Talk About Your Long-Term Goals In order to show you’re serious about your commitment to your job and will continue to be an exceptional employee, make sure you discuss accomplishments you hope to achieve in the future in your position or a future position. #5: Don’t Bring Up Personal Problems Even if you really need the money, this is not the time to mention that getting a raise will really help you recover from a bad investment, pay for your kid’s college, etc.Bringing up your personal problems during this talk isn’t professional will only make your supervisor feel more uncomfortable if they need to decline your request. This is also not the time to bring up workplace grievances like the fact that you feel you’re working a ton of hours or do twice as much work as another employee.Keep your discussion about getting a raise strictly professional, and only bring up work accomplishments as reasons why you deserve a raise. #6: Give Your Boss Time to Consider the Request Many times, even if your boss wants to give you a raise, they need to clear it with other people first. If your boss seems at least somewhat willing to consider giving you a raise, end your request by letting them know you aren’t expecting an answer right this minute, and ask when you can schedule a follow-up conversation.This takes some of the pressure off them to make a decision in the moment. #7: Consider Other Rewards If your boss is unable or unwilling to give you a raise, there are other rewards you could ask for, including: A bonus Increased vacation days More flexible working schedule Think about what other incentives you’d also be interested in having, and be prepared to offer them instead if your boss can’t give you a raise but agrees you deserve some other type of reward for your work. #8: Don’t Be Discouraged If You Hear â€Å"No† Not everyone who asks for a raise gets one. Sometimes you haven’t been in the position long enough, haven’t distinguished yourself enough, or the company just doesn’t have the money to offer you a raise right now. If this conversation doesn’t lead to a raise, a good follow-up question is, â€Å"What would I need to do to earn a raise in the future?†This will give you and your supervisor chance to discuss concrete actions you can take to put you in a better position to get a raise in the future. If your supervisor can’t offer you any definite steps you can take to get a raise, or they state that you’re already at the high end of the salary range for your position, then you may need to start looking at a job in a new company in order to increase your salary. Summary: How to Ask for a Raise at Work Before you ask for a raise, it’s important to make sure you’ve really earned a raise, have done your research on the salaries of similar workers, and have a brag list of your accomplishments ready. Not sure when to ask for a raise? The best times are during an annual review, after you’ve done excellent work, and when your boss is in a good mood.If you’re not sure how much to ask for a raise, do lots of research on what other people in your field make so you can be sure your request is reasonable. If you're not sure how to ask your boss for a raise, keep the following tips in mind: Be confident Make it clear you’re asking for a raise Show that you’re valuable Talk about your long-term goals Avoid discussing personal problems Give your boss time to think about it Consider other rewards Don’t be discouraged if you don’t get a raise What's Next? Interested in large numbers?Wondering what a Googol is? Learn every major number that comes after trillion in our guide to extremely large numbers. Thinking about learning Japanese?Learn how to say "good morning" in Japanese, plus nine other important greetings. Did you know that water has a very special density? Check out our guide to learn what the density of water is and how the density can change.